David Sanjek

David Sanjek
Ħajja
Twelid	Belt ta' New York, 3 Settembru 1952
Mewt	29 Novembru 2011
Okkupazzjoni
Okkupazzjoni	kittieb
Impjegaturi	L-Università ta' Salford

David Sanjek (3 ta’ Settembru 1952 – 29 ta’ Novembru 2011) kien Professur tal-Mużika Popolari u Direttur taċ-Centru għar-Riċerka Mużikali fl-Università ta’ Salford, f'Greater Manchester, l-Ingilterra. Flimkien ma’ missieru, Russell Sanjek, ipproduċew l-ewwel storja komprensiva miktuba dwar l-industrija tal-mużika Amerikana; American Popular Music and Its Business: The First Four Hundred Years.

Sanjek kien akkademiku li ppubblika ħafna dwar il-mużika popolari, il-Films, l-istudji tal-media, il-liġijiiet għad-drittijiet tal-awtur u l-kultura popolari. Kien Direttur tal-Arkivji tal-Broadcast Music, Inc. (BMI) bejn l-1991 u l-2007 u kien meqjus bħala espert dinji f’dan il-qasam. Huwa serva wkoll bħala konsulent għal ħafna organizzazzjonijiet, inklużi l-Library of Congress, ir-Rock and Roll Hall of Fame, ir-Rhythm & Blues Foundation, il-Blues Foundation, The Experience Music Project Museum, u National Endowment for Humanities, kif ukoll fuq diversi kumitati għall- Akkademja Nazzjonali tal-Arti u x-Xjenzi tar-Reġistrazzjoni (NARAS). Kien ukoll il-President, Viċi-President u Segretarju tal-Fergħa tal-Istati Uniti tal-Assoċjazzjoni Internazzjonali għall-Istudju tal-Mużika Popolari.

Ħajja bikrija u karriera

David Sanjek kien iben il-kollettur tal-mużika jazz magħruf, storiku tal-industrija tal-mużika u direttur eżekuttiv tal-BMI Russell Sanjek. Huwa rċieva l-B.A. tiegħu fl-Ingliż u l-Filosofija minn Connecticut College u l-M.A. u l-Ph.D. fil-Letteratura mill-Università ta’ Washington f’St Louis. Huwa qatta' s-snin pre-akkademiċi tiegħu bħala mexxej influwenti u popolari taż-żgħażagħ fil-kampijiet tas-sajf Farm & Wilderness u programmi edukattivi assoċjati li jinsabu fi u madwar Plymouth, Vermont.

Sanjek kien ta’ dixxendenza Kroata.

American Popular Music and Its Business: The First Four Hundred Years

Dan ix-xogħol kolossali ta’ riċerka u kitba jittraċċa l-istorja tan-industija tal-mużika Amerikana mill-oriġini tagħha fl-Ingilterra Eliżabettana sa tmiem is-seklu għoxrin. David Sanjek kien responsabbli għall-aġġornament u r-raffinar tax-xogħol fit-tielet volum "Pennies From Heaven", li jiffoka fuq it-trasformazzjonijiet teknoloġiċi u legali li affettwaw l-industrija tal-Mużika Amerikana bejn l-1909 u l-1984.

Legat

L-eluf ta' kotba, ġurnali, karti, diski u għad ta' artefatti awdjo u viżivivi mill-kollezzjoni personali ta' David Sanjek huma miġbura fl-Università ta' Salford. Dan jifforma riżors siewi għall-istudjużi attwali u futuri fl-oqsma tal-mużika popolari, film, letteratura u teatru.

L-IASPM-US torrfi l-Premju tal-Karta tal-Istudenti Gradwati d-David Sanjek Memorial Graduate Student Paper Prize għall-graduati tal-mużika u l-ispettakli fl-Istati Uniti.

David jibqa' ħaj minn ħutu Rick, intraprenditur tal-mużika bbażat f'Nashville u Roger Sanjek, antropologu u Professur.

Pubblikazzjonijiet dwar il-mużika

Kotba

• Sanjek, R. u Sanjek, D. (1996) Pennies from Heaven: The American Popular Music Business in the Twentieth Century. New York: Da Capo Press.
• Sanjek, R. u Sanjek, D. (1991) The American Popular Music Business in the 20th Century. New York: Oxford University Press.

Kapitli

• Sanjek, D. with Halligan, B. (2013) You Can't Always Get What You Want: Riding on the Medicine Ball Caravan in The Music Documentary. London: Routledge.
• Sanjek, D. (2013) Zappa and the Freaks: Recording Wild Man Fisher in Paul Carr, ed., Frank Zappa and the And: Key Essays on the Contextualization of his Legacy. Aldershot: Ashgate.
• Sanjek, D. (2012) Groove Me: Listening to the Discs of Northern Soul in Transatlantic Routes of American Roots Music. Farnham: Ashgate.
• Sanjek, D. (2012) Putting It Together: The Institutionalization of the American Musical Theatre in Oxford Handbook of the American Musical Theatre. New York: Oxford University Press.
• Sanjek, D. (2012) Jimmy Bowen in Grove Dictionary of American Music. New York: Oxford University Press.... [and various other entries: Johnny Otis; the Orioles; Gene Vincent; Sister Rosetta Tharpe; Clyde McPhatter; Harold Melvin and the Blue Notes; Neville Brothers; Tracy Nelson; Doo Wop; Eddie Fisher; Ink Spots; Brenda Lee; Tony Brown; Allen Toussaint; Jim Denny; the Dells]
• Sanjek, D. (2011) African-American Music and the Recording Industry: An Introduction in Encyclopedia of African-American Music, Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) African-American Music and the Recording Industry: 1919-1942 in: Encyclopedia of African-American Music,' Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) African-American Music and the Recording Industry: 1942-68 in Encyclopedia of African-American Music. Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) Jump Blues in Encyclopedia of African-American Music. Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) What's Syd Got To Do With It?: King Records, Henry Glover and the Complex Achievement of Crossover in Hidden In The Mix: African American Country Music Traditions. Durham: Duke University Press.
• Sanjek, D. (2009) Bank Accounts and Black Narcissus: Jimmie Rodgers and the Professionalization of American Popular Music in Waiting For A Train: Jimmie Rodgers's America. Burlington, Mass.: Rounder Books, 65-81
• Sanjek, D. (2008) Shock Jocks: Making Mayhem Over the Radio in Battleground: The Media Volume 2 (O-Z). Upper Saddle River, New Jersey: Pearson/Prentice-Hall.
• Sanjek, D. (2005) I Give it a 94. It’s Got a Beat and You can Dance to It. Valuing Popular Music in Michael Berube, The Aesthetics of Cultural Studies: An Introduction. Oxford: Blackwell, p. 117-139.
• Sanjek, D. (2004) All the Memories Money Can Buy: Marketing Authenticity and Manufacturing Authorship in Eric Weisbard, ed., This is Pop, Harvard University Press, 155–172.
• Sanjek, D. (2004) In My Time of Dying: Johnny Cash, Johnny Paycheck, Gary Stewart and Cycles of Hipness Peper at American Studies Association Convention, November 13.
• Sanjek, D. (2002) Tell Me Something I Don’t Already Know in Norman Kelley, ed. Rhythm and Business: The Political Economy of Black Music. New York: Akashic Books.
• Sanjek, D. (1999) Institutions in T. Swiss and B. Horner, eds. Key Terms in Popular Music and Culture. Oxford: Blackwell, pp. 46–56
• Sanjek, D. (1998) Reeling in the Years: American Vernacular Music & Documentary Film, in Brophy, P. ed. Cinesonic: The World of Sound in Film. Sydney: AFTRS Publishing.
• Sanjek, D. (1998) Blue Moon of Kentucky Rising over the Mystery Train, in Cecilia Tichi, ed. Reading Country Music: Steel Guitars, Opra Stars and Honkytonk Bars. Duke University Press, p. 22-44
• Sanjek, D. (1998) Popular Music and the Synergy of Corporate Culture, in Thomas Swiss, J. Sloop and E. Herman, eds. Mapping the Beat: Popular Music and Contemporary Theory. Oxford: Blackwell,
• Sanjek, D. (1997) Can a Fujiama Mama be the Female Elvis? The Wild, Wild Women of Rockabilly in Whiteley, S. ed. Sexing the Groove. London: Routledge, pp. 137–167
• Sanjek, D. (1994) Don’t Have to DJ No More: Sampling and the Autonomous Creator in Martha Woodmansee and Peter Jansi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Duke University Press.

Peer Reviewed Journals

• Sanjek, D. (2011) Hard of Hearing: Acoustic Legacies and Public Policies,' Popular Music & Society.
• Sanjek, D. (2011) What Hath Phast Phreddie Wrought?: Los Angeles, Punk Music and the Recovery of Race Journal of Post-Punk.
• Sanjek, D. (2006) Ridiculing the White Bread Original: The Politics of Parody and Preservation of Greatness in Luther Campbell AKA Luke Skywalker et al. vs. Acuff-Rose Music, Inc.,' Cultural Studies 20, 2-3, pp. 262–281
• Sanjek, D. (2006) Ridiculing the White Bread Original: The Politics of Parody and Preservation of Greatness in Luther Campbell, AKA Luke Skyywalker et al vs. Acuff-Rose Music, Inc. Cultural Studies 20, 2-3, pp. 262–281.
• Sanjek, D. (2006) ‘Navigating the Channel: Recent Scholarship on African-American Popular Music,’ Journal of Popular Music Studies 11, 1, 167-192
• Sanjek, D. (1997) One Size Does Not Fit All: The Precarious Position of the African-American Entrepreneur in Post WW2 American Popular Music American Music 15, 4, 535-562
• Sanjek, D. (1992) Pleasure and Principles: Issues of Authenticity in the Analysis of Rock’n’Roll Journal of Popular Music Studies.

Pubblikazzjonijiet dwar il-films

Peer Reviewed Journals

• Sanjek, D. (2012) Review of Funny Pictures: Animation and Comedy in Studio-Era Hollywood. Daniel Goldmark and Charlie Keil, eds. Quarterly Review of Film and Video
• Sanjek, D. (2005) Getting Something Out [on Claude Chabrol] Pop Matters
• Sanjek, D. (2005) Thrills [on Harold Lloyd] Pop Matters
• Sanjek, D. (2004) Monkey King [on Jerry Lewis] Pop Matters
• Sanjek, D. (2003) The Doll and The Whip: Pathos and Ballyhoo in William Castle´s Homicidal Quarterly Review of Film and Video 20, 4, pp. 247–264
• Sanjek, D. (2003) A Brief Reign of Terror [on Gordon Hessler] Pop Matters
• Sanjek, D. (2002) Cold, Cold Heart: Joseph Losey’s The Damned and the Compensations of Genre Senses of Cinema 21
• Sanjek, D. (2002) Fate Wears a Fedora (on Jean Pierre Melville) Pop Matters
• Sanjek, D. (2002) Smile When You Say That: James Coburn (1908-2002) Pop Matters
• Sanjek, D. (2002) A Cynic’s Demise: Billy Wilder (1906-2002) Pop Matters
• Sanjek, D. (2001) Dario Argento's Blood on the Walls Bad Subjects Archived June 24, 2012, at the Wayback Machine
• Sanjek, D. (2001) Big Boss Man: Samuel J. Arkoff (1917-2001) Pop Matters
• Sanjek, D. (1996) Dr Hobbes Parasites: Victims, Victimization and Gender In David Cronenberg’s Shivers Cinema Journal 36, 1, 55-74.
• Sanjek, D. (1994) Torment Street Between Malicious and Crude: Sophisticated Primitivism in the Films of Samuel Fuller, Literature Film Quarterly 22, 3, pp. 187–194.
• Sanjek, D. (1994) Twilight of the Monsters: The English Horror Film 1968-1975 in Wheeler Winston Dixon, ed. Re-Viewing British Cinema 1900-1992. Albany: University of New York Press, p. 195-209.
• Sanjek, D. (1994) Foreign Detection: The West German Krimi and the Italian Giallo, Spectator 14, 2, 82-95
• Sanjek, D. (1990) ‘Fans’ Notes: The Horror Film Magazine Literature / Film Quarterly 18, 3, p. 150-160