Stampa:Pontormo - Portrait of Maria Salviati de' Medici with Giulia de' Medici - Walters 37596.jpg

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Pontormo: Portrait of Maria Salviati de' Medici with Giulia de' Medici  wikidata:Q18749358 reasonator:Q18749358
Artist
Pontormo  (1494–)  wikidata:Q207929 q:it:Pontormo
 
Pontormo
Ismijiet oħra
Birth name: Jacopo Carucci
Deskrizzjoni Italian pittur u disinjatur
Data tat-twelid/mewt 24 Mejju 1494 Edit this at Wikidata 31 Diċembru 1556 / 2 Jannar 1557 Edit this at Wikidata
Post tat-twelid/mewt Pontormo (Empoli) Firenze
Post ta' attività
Authority file
creator QS:P170,Q207929
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Titlu
Ingliż:
Portrait of Maria Salviati de' Medici with Giulia de' Medici Edit this at Wikidata
title QS:P1476,en:"Portrait of Maria Salviati de' Medici with Giulia de' Medici Edit this at Wikidata"
label QS:Len,"Portrait of Maria Salviati de' Medici with Giulia de' Medici Edit this at Wikidata"
Object type painting Edit this at Wikidata
Genre ritratt Edit this at Wikidata
Deskrizzjoni
English: Pontormo (called by the name of his birthplace) was esteemed by the Medicis for his ability to capture the individuality of his sitters, while emphasizing their aristocratic demeanor. Maria Salviati was the wife of famous military leader Giovanni delle Bande Nere de' Medici (d. 1526) and the mother of Cosimo I (1519-1574), grand duke of Tuscany. The little girl holding her hand here is probably Giulia, a Medici relative who was left in Maria's care after the murder of the child's father, Duke Alessandro de' Medici (1511-1537). As Alessandro was born of a liaison between a Medici cardinal and a servant who, tradition has it, was African, this formal portrait may be the first of a girl of African ancestry in European art. The child was painted over sometime during the 19th century but was rediscovered during a 1937 cleaning of the work.

Although Maria still wears the clothing of mourning for her deceased husband, Pontormo's elegant style conveys her aristocratic grace through her impossibly long fingers and her fashionably pale color (indicative of a life led out of the sun), which she shares with Giulia.

This painting will be featured in the Walters' upcoming exhibition Face to Face, the African Presence in Renaissance Europe (opening October 2012).
Data circa  Edit this at Wikidata
Rinaxximent (14 century
date QS:P,+1350-00-00T00:00:00Z/7
17 century
date QS:P,+1650-00-00T00:00:00Z/7
Edit this at Wikidata
Teknika oil on panel Edit this at Wikidata
Qisien Painted surface: height: 88 cm;width: 71.3 cm;depth: 1 cm
dimensions QS:P2048,88U174728
dimensions QS:P2049,71.3U174728
dimensions QS:P5524,1U174728
Framed height: 113 cm;width: 92 cm;depth: 8.8 cm
dimensions QS:P2048,113.03U174728
dimensions QS:P2049,92.08U174728
dimensions QS:P5524,8.89U174728
institution QS:P195,Q210081
Numru ta' adeżjoni
37.596
Place of creation Florence, Italy
Oriġini
  • Medici Collections
  • Riccardo Romolo Riccardi, Palazzo Gualfonda, Florence, prior to 1612 [inventory of 1612, Florence, Archivio di Stato, Carte Riccardi, fil. 258, c.21r-23r, as "un quadro di br.a uno e mezzo della Sig.ra D. Maria Medici con una puttina per mano di Jacopa da Pontormo"] until after 1814 [Florence, Archivio di Stato, Carte Riccardi, fil. 278, as "no 147 un quadro rappresenta un ritratto di donna con una bambina"] [mode of acquisition unknown]
  • Don Marcello Massarenti Collection, Rome, prior to 1881 [mode of acquisition unknown] [1881 catalogue: no. 79
  • 1897 catalogue: no. 381, as Sebastiano del Piombo]
  • 1902: purchased by Henry Walters, Baltimore
  • 1931: bequeathed to Walters Art Museum by Henry Walters
Exhibition history Undercover Stories in Art. The Walters Art Gallery, Baltimore. 1980. Going for Baroque. The Walters Art Gallery, Baltimore. 1995-1996. Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001. Virtue and Beauty: Leonardo's Ginevra de'Benci and Renaissance Portraits of Women. National Gallery of Art, Washington. 2001-2002. The Legacy of Michelangelo. Palazzo Strozzi, Firenze; The Art Institute of Chicago, Chicago; The Detroit Institute of Arts, Detroit. 2002-2003. Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait. Philadelphia Museum of Art, Philadelphia. 2004-2005.
Attribuzzjoni Acquired by Henry Walters with the Massarenti Collection, 1902
Referenzi Federico Zeri (1976) (Ingliż) Italian paintings in the Walters Art Gallery, Baltimore: Walters Art Gallery, no. 211 , pp. 325−328 OCLC: 2463997.
Sors Walters Art Museum: Home page  Info about artwork
Permess
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